It is a remarkable circumstance that not a few of the likenesses of Shakespeare should have been executed by others than his own countrymen. Ramsden, Guendolen, Lady, 1846-1910, former owner. 1 painting on panel, irregular : oil ; 55.9 x 43.4 cm. Shakespeare's Portrayals of Sleep Our building on Capitol Hill is closed due to a major building renovation project, but Folger events and programs continue online. From Shakespeare the Player. The 'Droeshout' engraving bears, in the second place, the special imprimatur of Shakespeare's associate, Ben Jonson; and not only his, but it also has the endorsement of the poet's intimate friends and 'fellows,' Heminge and Condell, who were remembered in his last will and testament. of this portrait — when, and by whom, and for whom painted The Hampton Court portrait, whoever it is, was certainly not Oxford, no matter what kind of a sword he was holding. ever known as to what befell the mask after Gerard Johnson had manipulated it in the preparation of the bust — assuming it had been in his hands for that purpose — the finding of such an extraordinary relic created widespread interest, not only throughout England and Europe, but in America, where also there were those who were ready to believe the Their claims, however, will cause controversy, especially since some experts doubt the Janssen portrait is Shakespeare. Shakespeare's Portrayal of Old Age Other titles it has borne are the Jennens Portrait of Shakespeare, the Ut Magus Portrait, the Hamilton, the Rupert, the Somerset, the Balstrode, and the Ramsden. King James I of England: Shakespeare's Patron last act of that famous tragedy. Jennens, Charles, 1700-1773, former owner. Also dismissed is the so-called Janssen portrait, which belongs to the Folger Shakespeare Library in Washington. in a bureau which belonged to his mother, who had inherited it from her father, William Somerville the poet, and thus traced its history back to the days when the poet lived in Throughout this study Iâve seen the most outrageous claims made for portraits that contradict the evidence of my own eyes. Cornelius Janssen (1593-1661) arrived in London, England in 1618, two years after Shakespeare's death. believe in it as a true likeness of Shakespeare. Janssen portrait of Shakespeare [graphic]. Paintings in the Folger Shakespeare Library, 160 (Plate 24), LUNA: Folger British Book Illustrations Coll, LUNA: Folger First Folio Image Collection, LUNA: Folger Manuscript Transcriptions Colle. Going to a Play in Elizabethan London Are you looking for the best images of William Shakespeare? Also dismissed is the so-called Janssen portrait, which belongs to the Folger Shakespeare Library in Washington. The resurrection of the veritable death-mask of the immortal author of Hamlet not unnaturally suggests, as it no doubt suggested at the time, a famous scene in the brought to London for exhibition, where it secured many however, it lost credit, and is now only remembered as an instance of that strange trait in the character of the British public, namely, its easy gullibility in matters appertaining The Earl of Southampton: Shakespeare's Patron omit any details regarding them, as they can only be considered as more or less doubtful if not ideal portraits. The Shakespeare presented to us in the Chandos portrait, in contrast, seems a bit seedy. Ferdinando Stanley, Lord Strange, 5th Earl of Derby: It was suspected that he ⦠"The Janssen portrait was believed to be of Shakespeare until the 1940s," he said yesterday. admirers and willing believers, and it is actually recorded time, attracted great attention. Physical Description (Hamnet): 1 painting on panel, irregular : oil ; 55.9 x 43.4 cm. it represented. Graphic added by Shakespeare Online editors (2014). — is unknown. who went to see it, three thousand declared their belief in its originality.' One suspects the artist approached this Shakespeareâs plain collar by speculating about ⦠In the third place, there is the suggestive fact that between the Stratford bust and the 'Droeshout' engraving there are certain striking correspondences, not so observable Everything about the Chandos, its history as well as the image itself, suggests that it is, in fact, a genuine portrait ⦠that seems to haunt the eyes, the portrait takes rank, in at least its excellence of ideality, with any other example. It bears to have been painted when Shakespeare was in his thirty-third year, and it is recorded In Leonardo da Vinci, perhaps. For this unfortunate display of hero-worship Malone was severely censured, and there is at least one record extant The gentleman into whose possession this curiosity came Even an authority like Sir Thomas Lawrence voted in its favour. Shakespeare, William, 1564-1616 -- Portraits. Media in category "Portrait paintings of William Shakespeare" The following 41 files are in this category, out of 41 total. Whether the portrait had its original home in London or elsewhere is unknown; but, like the 'Becker' mask, it, too, was taken to the Metropolis for public exhibition. There are others, also, of the Shakespearean likenesses yet to be considered that owe their origin very largely to the skill of devout admirers of the poet who were not in any way of his national kith or kin. They are therefore referred to as belonging to the latter category. as a protest against Malone's offence : In the first place, the 'Droeshout' engraving was executed by a skilful artist whose profession it was to 'draw from the life'; whereas the 'Chandos' portrait is only supposed to Every few years a ânewâ portrait of Shakespeare is discovered. ), exactly fifty-two years of age, a cast of his features was taken— by whom is not known, though the The Chandos is the portrait that, ever since the Janssen acquired its natural hairline in 1988, has been the favored image for representing Shakespeare on book jackets and the internet. Spielmann described it in 1909 as "on panel, very roughly hewn at the back and held together by three strengthening uprights-not a recent addition-and strips of canvas glued against the two cracks" (p. 232), Conserved 19090000 Spielmann noted the repair of a damage about 2 inches long over the sitter's left eye, Conserved 19880000 original hairline restored. "Yes, it had been altered to make it look more like Shakespeare⦠As is well known to all who have seen the bust, its prominent characteristic is the calm serenity and gentleness of the expression of the features, an expression old was taken up at once and followed with rare persistence Exhibited: Mead Art Building, Amherst College, "Shakespeare, Hamlet, and Macbeth" (no catalogue), 1951; 'As imagination bodies forth...' [paintings] Oct. 28, 1994-Feb. 15, 1994. 161); the "Duke of Anhalt," which is stated as having been executed in England in 1763-64; the "Earl of Darnley"; and the "Marsden.". Shakespeare Hits the Big Time, King James I of England: Shakespeare's Patron, The Earl of Southampton: Shakespeare's Patron, Shakespeare's Pathos - General Introduction, Alchemy and Astrology in Shakespeare's Day, Shakespeare's Contemporaries: Top Five Greatest, Shakespeare's Reputation in Elizabethan England, Life in Stratford (structures and guilds), Life in Stratford (trades, laws, furniture, hygiene). In the year 1849 there was discovered at Mayence what bore to be a genuine though gruesome relic of Shakespeare, and claimed to be set almost side by side in value and interest This relic was declared to be nothing less than the mask of the face and features of the poet taken after his death in April 1616 (o.s.). was named Ludwig Becker, who, writing in 1850, gave so (Figure 8 â Cobbe portrait) This was identified as recently as 2009 as being of Shakespeare. Ashbourne portrait ShakespeareHamersley.jpg 1,846 × 2,390; 744 KB 1. Entertainment in Elizabethan England Provenance: Acquired by Charles Jennens of Gopsel, Leicestershire, by 1770; by descent on Jennens's death in 1773 to Penn Assheton Curzon, who had married Jennens's niece; by descent to Lord Howe, Curzon's successor? It is inscribed with the sitter's age, 46 ⦠The inscription is executed in oil paint over the dark brown overpaint covering the background. mask, the only key to its solution. whom, or by Richard Burbage, it was painted. Painted in ⦠When the portrait was exhibited shortly after its discovery in the year mentioned, it is recorded that 'of not more than six thousand Preface to The First Folio to Shakespeare. After a prolonged These cracks were visible early on, as they are commented on by both Boaden in 1824 (p. 194) and Wivell in 1827 (pp. It is displayed at Hatchlands Park in Surrey, a National Trust property, and the portrait is so-called because of its ownership by Charles Cobbe, Church of Ireland (Anglican) Archbishop of Dublin (1686â1765). flush and heyday of his early manhood and strength. The picture was left by the former in his will to Sir William D'Avenant. The Sanders Portrait... 1538x1800 0 0. Cargill, Alexander. repose fills the full, winsome eyes, and at the same time in any way till 1748 — a century and a quarter afterwards — scrutiny of the mask, Mr. Reputed Shakespeare portrait prepares to strut upon the world stage. To begin with, we have been told that it cannot possibly be a portrait of William Shakespeare. careful and loving attention; the old colours were fetched forth anew, and the monumental setting was improved and made worthy of the poet. in the forefront of the famous First Folio (1623). A study conducted by the Folgers Library in the mid 1940s, I believe, proved this beyond a doubt. Hence the name of the portrait, and such, in substance, is all that is known with certainty regarding its history. However, "e" is an abbreviation for "is," and the word represented is "Ætatis." An excellent account of the history of the mask was also written by Mr. Its history is curious, if for nothing more than the fact that the name, 'Gul Shakespear,' and the date, '1597,' together with the initials, R. B.,' traced on Taylor then left the painting to William Davenant, the man who claimed to be Shakespeare's illegitimate son. Queen Elizabeth: Shakespeare's Patron These lines declare as follows: According to the catalogue of the National Portrait Gallery, where the relic is now safeguarded, 'The 'Chandos' portrait was the property of John Taylor, the player, by As all the world knows, this is erected in the chancel of the Church of Holy Trinity in his native town of Stratford-on-Avon. that some were so affected by the sight that they burst Note sixth year, and when approaching, if not already arrived at, the summit of his physical and intellectual strength and glory. Page declared his firm belief in its genuineness, and thereupon made from it a very interesting set of models of the features of Shakespeare, which, at the Shakespeare himself left no description of his appearance nor can any evidence be found that he commissioned a portrait. memento or token of that friendship and regard which were entertained for the poet by the Earl of Southampton almost from the outset of Shakespeare's career. The Chandos Portrait of Shakespeare On 16 April 1594 -- Ferdinando Stanley, Lord Strange, 5th Earl of Derby died. One runs from top to bottom on the right-hand side, passing the sitter's ear and curving gently at the bottom where it borders the sitter's left wing. The Chandos Shakespeareâs hair and beard suffer from a certain amount of deferred maintenance. London: Constable and company Ltd., 1916. that classic shrine have been familiar, ever delighted to gaze upon the marble image with profound admiration. Inscribed in upper left-hand corner: "Æte 46 / 1610." ...Shakespeare was not only a phenomenon in point of intellectual genius, but he must also have been superbly gifted in the matter of physique. However, let us first consider the Cobbe portrait. ______ original character and greatly injuring the expression of the face.' (The two small letters "te" have been misread as "fe," which would mean the painter AE made this work. After having been exhibited in London, the In the latter year, however, at the instance of an ancestor of the famous actress, Mrs. Siddons, it received Main (202) 544-4600 Box Office (202) 544-7077. He was only 35 years old. Nevertheless, its discovery was hailed with enthusiasm, and what purported to be an undoubted clue to a mystery more than two centuries Since its reappearance in 1770, this picture has most frequently been referred to as the Janssen Portrait of Shakespeare. According to his own report, Alec Cobbe visited the London National Portrait Gallery exhibition "Searching for Shakespeare" in 2006, where he saw the Janssen portrait -- ⦠Versions: Spielmann lists the chief "copies" as the "Buckston" or "Duke of Kingston," which he believes to be early 18th century; the "Croker"; the "Staunton" (see no. retirement at Stratford. profits of a representation of the play of Othello by a company of actors 'strolling' by Stratford-on-Avon at the time. Indeed, the portrait that began Cobbeâs inquiry, the Folger Shakespeare Libraryâs Janssen portrait, is not a confirmed likeness of Shakespeare. Like JPG. Mr. Wivell, the well-known expert, compared them carefully and concluded that the resemblance was of the kind discovered by Fluellen between Macedon and Monmouth. It is inscribed with the sitter's age, 46 ⦠Please consult Curator for assistance. Publishing in Elizabethan England If speaks eloquently of the painter's lofty conception of the What did Shakespeare drink? When its claims were put forward for the first time in 1815, Mr. Dunford, the owner, assured the public that he saw in the portrait a likeness to the "Droeshout" print.' Condition reviewed 19320000 painting was damaged when it was shipped from England, a small nail in the frame scrapping the bottom edge of the paint surface in an area of about 3/4 inch, Condition reviewed the panel consists of a single oak plank, apparently cut radially from the tree. Duncan-Jones selects three Shakespeare portraitsâan engraving, a painting, and a bustâthat she argues were almost certainly created by people who had seen Shakespeare and knew what he looked like. Moreover, it was twice engraved With Portraits of Shakespeare, Katherine Duncan-Jones poses a series of questions about the mysterious physical appearance of the brilliant writer of plays, poems, and sonnets: Why is it so difficult to find images of Shakespeare that were made during his lifetime? The Cobbe portrait. The painting passed from through multiple owners and is now at the Folger Shakespeare Library in Washington DC. It is believed that when Shakespeare died, on the 23rd April 1616 (o.s. Sir James Bland Burges, Bart., who, in a letter to a friend It will, however, speak for itself as to this. poet's features. Hamilton, Duke of, d. 1819, former owner. Was the Cobbe Portrait, in fact, the original portrait from which the Janssen Portrait was created as a copy? A number of other copies or adaptations of the Chandos and Droeshout images were made in the later 17th century and early 18th century, such as William Faithorne's frontispiece of the 1655 edition of The Rape of Lucrece, and Louis Francois Roubiliac's copy of the Chandos, made as preparation for his sculpture of Shakespeare. At the time of its exhibition a newspaper warfare was waged over the question with results that, on the whole, were unfavourable to the pretensions of the portrait. local artist, who either painted it to satisfy his own or The Janssen, its original and all its other copies have been proven to be of Sir Thomas Overbury. Let us, then, consider the portraits with a view to arriving at some reasonable conclusion with regard to the main features of the physiognomy of Shakespeare. The second crack is down the middle of the panel passing to the left of the figure's left eye. There are two severe vertical cracks. Which images ⦠Alchemy and Astrology in Shakespeare's Day Page for Scribner's Magazine of May 1876. The first known owner of the Janssen portrait was a certain Charles Jennens who lived in Leicestershire. Here you are! story. FOLGER SHAKESPEARE LIBRARY. giving an account of it, alleged that it had been discovered Page, a well-known artist of New York, to visit Germany and there examine this famous relic for himself. But for a somewhat severe and sad, if not dissatisfied, look ample: somewhat less lofty than in the bust, much less so This record contains unverified data from a re-keying contract and may contain incorrect or incomplete text. found a place of honour and safety. The Janssen portrait, to which the Cobbe bears some resemblance, is in the Folger Shakespeare Libraryâs collection. The 'Dunford' Portrait It has, she said, the strongest claim of any of the known contenders to be a true portrait of Shakespeare, six of which go on show today at the gallery's Searching for Shakespeare exhibition. great majority of the poet's admirers more than any other portrait. With this likeness generations of pilgrims to It is also possible that the likeness was painted as a The Chandos portrait of Shakespeare is named after its owners, the Dukes of Chandos. another's ideal. After his death it was bought by Betterton, the actor, upon whose decease Mr. Keck, of the Temple, purchased it for forty guineas, from whom it was inherited by Mr. Nicholls, of Michenden House, Southgate, Middlesex, whose only daughter married James, Marquis of Carnarvon, afterwards Duke of Chandos, father of Eliza, Duchess of Buckingham.' At some point prior to 1770 the hairline was raised. gently compresses the eloquent lips. The portrait is thought to have belonged initially to Shakespeare's patron, Henry Wriothesley, 3rd Earl of Southampton, and to have been copied by another artist who created the painting known as the Janssen portrait, which had already been claimed to depict Shakespeare. Test results on both the Janssen Portrait (oil on oak panel, Cornelius Janssen, circa 1610-1618) and the Ashbourne Portrait (oil on canvas, Cornelius Ketel, 1611) have shown them to likely not be of William Shakespeare. He bought it in 1770. till 1635, when Shakespeare had been dead for nineteen years, his portrait must have been from a copy — probably that in the possession of Sir William D'Avenant, afterwards known as the 'Chandos' portrait. picture was taken back to Stratford, where it has ever since made to order, to do duty as a common tavern-sign! If the likeness known as the 'Dunford' portrait has the slightest resemblance in any particular to Shakespeare, the individual must be exceptionally gifted who can trace it. erection in the chancel of the church, the bust was probably approved by Shakespeare's relations as a good likeness, and deemed worthy of its conspicuous position and of the man with the Stratford bust itself. How to cite this article: Somerset, 11th duke of, wife of, former owner. As nothing was Similarly, the Cobbe portrait is really the Janssen portrait and is not a portrait of Shakespeare at all but rather a portrait of Thomas Overbury. Especially since some experts doubt the Janssen, its original and all its other have... The Southampton family, but there is no evidence of this — some time between 1616 and 1623 — bust... ; 55.9 x 43.4 cm New York, to which the Cobbe portrait the Hampton Court portrait to. His will to Sir William D'Avenant 23rd April 1616 ( o.s sword was! 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From through multiple owners and is now at the same time gently the... Dukes of Chandos all its other copies have been proven to be Sir! The chancel — some time between 1616 and 1623 — the bust has experienced not few. Events and programs continue online this study Iâve seen the most outrageous claims made for that. Portrait is Shakespeare whoever it is, '' he said yesterday beyond a doubt middle of Janssen...
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